Reviews
“....brilliantly played here by Dullea…”
— The Guardian
“…the eruption of a keyboard-spanning piano solo (brilliantly dispatched by Mary Dullea)…”
— Sunday Times
“…and the dependability of pianist Mary Dullea – here as throughout the evening – made you wish that, if ever you missed your footing, she would be the person at hand to catch you.”
— The Independent on Sunday
“Mary Dullea comes to the fore on two cleverly shaped piano works…”
— Sunday Times
“…besotting, its sweeping range of moods and emotions being superbly captured by pianist Mary Dullea.”
— Sunday Business Post
“…played with scrupulous attention to every technical challenge and mood swing, without ever becoming indulgent.”
— The Independent
“It was, however, in the Studies of Ligeti that Dullea revealed why her reputation is so high. Ligeti helped create a new, coherent musical language. Dullea understands that language and shared it with her listeners.”
— Irish Examiner
“Here the intuitive partnership of Morgan and Dullea resulted in an utterly gripping sound-world of breathtaking delicacy and serenity descended from Bartok’s night music.”
— Irish Times
“Mary Dullea, the pianist, completes the difficult and relentless task set her with an absolute mastery of execution, and of effect.”
— MusicalCriticism.com
“Morgan and Dullea are musicians who plainly cherish the diverse gifts placed in their hands; their performances are consistently alert and alive across the breadth of styles and, indeed time scales.”
— Paul Griffiths, Words on Music
“…with Dullea again showing insight and command in her performance of the score’s undulating, delicate, and colourful piano part.”
— MusicalCriticism.com
“Performances are as perceptive as one would expect from musicians committed to commissioning and performing new music… a disc deserving wide exposure”
— Gramaphone